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Auditions – Shakes’beer’ Promenade

by Jocelyn21 February 2017
needs you! 
Call-out for actors and assistant directors for the second CADS Shakes’beer’ promenade
Last year, for the first time, we took to the streets of Clifton Village for a promenade performance in honour of Shakespeare’s birthday. It was such a success that we have decided to return for vol.2!
We’ll be performing several shows on both the 22nd and 23rd of April.
This year, the theme is ‘All’s Fair in Love and War’ – think lover’s tiffs, dastardly historical plots and thrilling duels.
will take place on the 27th February at Clifton Library. There will be two slots: ‘Act 1′ from 7:30 and ‘Act 2′ from 8:30. It will be a relaxed process where you’ll get the chance to meet other people interested in the show.

We’ll ask you to perform one of the monologues below and the Demetrius/Helena scene with another person auditioning. You’re also welcome to perform an additional extract of your own choosing. 
As well as actors, we need couple of assistant directors who would be interested in helping with individual scenes. The final list of scenes will depend on who auditions and will be worked out alongside the producers in order to create the best possible running order. However, we would love to hear your suggestions. You’d be expected to be at the auditions so we can start to work out which actors could fit the proposed roles/scenes.
Anyone interested in assistant directing should email us by the 24th of February.
Rehearsals will then take place from the w/c 6th March on wards. Thanks to the nature of the show, you’ll be able to commit as much of your time as you are able. A smaller part in one scene might mean as little as a couple of hours rehearsal a week.
For more information, and to confirm which audition slot you’d like to attend, please email: publicity [at] bristolcads [dot] org.uk
Audition pieces:
1)

Titania from A MIDSUMMER NIGHT’S DREAM

These are the forgeries of jealousy:
And never, since the middle summer’s spring,
Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb’d our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck’d up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch’d his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain’d a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men’s morris is fill’d up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems’ thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.

2)
MERCUTIO: O, then I see Queen Mab hath been with you.
She is the fairies’ midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman,
Drawn with a team of little atomies
Over men’s noses as they lie asleep;
Her wagon spokes made of long spinners’ legs,
The cover, of the wings of grasshoppers;
Her traces, of the smallest spider web;
Her collars, of the moonshine’s wat’ry beams;
Her whip, of cricket’s bone; the lash, of film;
Her wagoner, a small grey-coated gnat,
Not half so big as a round little worm
Pricked from the lazy finger of a maid;
Her chariot is an empty hazelnut,
Made by the joiner squirrel or old grub,
Time out o’ mind the fairies’ coachmakers.
And in this state she gallops night by night
Through lovers’ brains, and then they dream of love;
O’er courtiers’ knees, that dream on curtsies straight;
O’er lawyers’ fingers, who straight dream on fees;
O’er ladies’ lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are.
Sometimes she gallops o’er a courtier’s nose,
And then dreams he of smelling out a suit;
And sometimes comes she with a tithe-pig’s tail
Tickling a parson’s nose as ‘a lies asleep,
Then dreams he of another benefice.
Sometimes she driveth o’er a soldier’s neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted, swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night
And bakes the elflocks in foul sluttish hairs,
Which once untangled much misfortune bodes.
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage.
This is she!

3)

Demetrius. I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
The one I’ll slay, the other slayeth me. 565
Thou told’st me they were stolen unto this wood;
And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.Helena. You draw me, you hard-hearted adamant; 570
But yet you draw not iron, for my heart
Is true as steel: leave you your power to draw,
And I shall have no power to follow you.Demetrius. Do I entice you? do I speak you fair?
Or, rather, do I not in plainest truth 575
Tell you, I do not, nor I cannot love you?Helena. And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me, 580
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,—
And yet a place of high respect with me,—
Than to be used as you use your dog? 585Demetrius. Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.

Helena. And I am sick when I look not on you.

Demetrius. You do impeach your modesty too much,
To leave the city and commit yourself 590
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
With the rich worth of your virginity.

Helena. Your virtue is my privilege: for that 595
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
Then how can it be said I am alone, 600
When all the world is here to look on me?

Demetrius. I’ll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.

Helena. The wildest hath not such a heart as you.
Run when you will, the story shall be changed: 605
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues and valour flies.

Demetrius. I will not stay thy questions; let me go: 610
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.

Helena. Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex: 615
We cannot fight for love, as men may do;
We should be wood and were not made to woo.
[Exit DEMETRIUS]
I’ll follow thee and make a heaven of hell,
To die upon the hand I love so well.

About the Author

Jocelyn

Jocelyn

CADS (Clifton Amateur Dramatic Society) in Bristol.

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